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Taboo VII: The Wild and the Innocent is a strange beast. It is a film that betrays its own title, a sequel that isn’t really a sequel, and a "taboo" story that avoids the central taboo of the series.

Shot on genuine , capturing richer colors and lighting compared to cheap video-only releases of the late '80s. Aesthetic Style

Some critics and fans consider the film a repackaging of an earlier 1980 production titled A Woman's Dream , re-edited with new footage and titles to capitalize on the Taboo brand name. taboo vii the wild and the innocent 1989 ful extra quality

: Kitty Shayne features in a well-regarded scene as Mrs. Wiggins, which critics at IMDb describe as a "marvel of cinematography" for its time. Critical Reception

: Portrays the poet Ben Brookfield. He famously breaks out into a low-budget musical number titled "Return to Romance" early in the film, a scene often cited for its "bizarre" and "unsexy" nature. Taboo VII: The Wild and the Innocent is a strange beast

The search for the version is a testament to the devotion of film collectors. It represents a desire to preserve not just adult content, but a specific, weird moment in media history when producers re-cut a 1980 art house movie to cash in on a major franchise, accidentally creating a unique, musical, softcore masterpiece.

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Randy West (playing poet Ben Brookfield), Lysa Thatcher, Suzannah French, and Jamie Gillis.

Taboo VII: The Wild and the Innocent is a quintessential late-80s feature. It offers a blend of soap-opera storytelling and high-production adult entertainment, serving as a testament to the franchise's ability to evolve with the times while retaining its core identity. For fans of the genre, it remains a defining entry in one of adult cinema's most famous sagas.

: Plays Lenny, a foul-mouthed "Beat poet" who serves as an antagonist to West’s character.

As one critic noted, this is a film "stuffed with porn royalty" who are mostly wasted on experimental nonsense.