Stossgebet Fur Meinen Hammer -hans Billian- Lov... Fixed | Desktop Safe |

Shot on actual film stock, giving it the distinct warm, grainy, and saturated palette characteristic of 1970s European cinema.

Pray for My Cock , Stossgebet für meinen Hammer Plot Synopsis

Today, the film is viewed primarily by film historians, archivists, and retro cinema enthusiasts tracking the evolution of European exploitation movies and the extensive, multi-decade career of Hans Billian. Stossgebet fur meinen Hammer -Hans Billian- Lov...

Notably, both actresses appear to have had — “Stoßgebet für meinen Hammer” seems to be among their only credited roles. Karnat and Szenetra were likely part of the loose pool of performers that populated the burgeoning German adult film industry in the mid‑1970s.

Director Hans Billian (1918–2007) was a central figure in the West German "Sexwelle" (sex wave) of the 1970s. His films often blended narrative storylines with adult content, frequently utilizing domestic settings like saunas, hotels, or households to frame their erotic encounters. Stoßgebet für meinen Hammer is reflective of this era's production style—short, focused on specific scenarios, and distributed through specialized erotic cinema circuits or early home video formats. Stoßgebet für meinen Hammer (Short 1976) - IMDb Shot on actual film stock, giving it the

To appreciate “Stoßgebet für meinen Hammer,” one must first understand its creator: .

Today, fans of "Eurocult" cinema seek out Hans Billian’s work for its kitsch value and its unapologetic commitment to fun. It is a time capsule of an era where "Love, German Style" meant a mixture of alpine fresh air, bawdy jokes, and a total lack of inhibition. Karnat and Szenetra were likely part of the

Born on 15 April 1918 in Breslau (now Wrocław, Poland), Billian initially dreamed of becoming an opera singer . However, his voice deteriorated during nine years of military service, forcing him to abandon that ambition. After World War II, he settled in West Germany, working as a theatre actor in Hamburg and Wolfenbüttel before transitioning to film as a director’s assistant.